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Why tennis media is a fragmented mess, from Grand Slam broadcast rights to social media highlights

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  • Post last modified:April 3, 2025

The WTA has introduced “Inside the Tour,” a video series on its YouTube channel to showcase the personalities and experiences of players, mirroring the popularity of player vlogs. The Australian Open has experimented with showing matches for free on its YouTube channel, using animated characters, to attract a wider audience. Major tennis events struggle with broadcast rights, with various platforms like Tennis Channel, ESPN, and Sony WMN TV, making it difficult for fans to find and watch matches. Players face restrictions on sharing match footage on social media due to copyright concerns, which can limit their ability to self-promote and engage with fans. Revenues from broadcast rights are a significant source of income for tournaments and tours, but these contracts often restrict the types of content that can be shared.

Tennis is at a crossroads, struggling with the shift from traditional linear broadcasting to digital media, and the proposed merger between WTA Ventures and the ATP could help simplify broadcasting rights but may not lead to equal revenue splits for both tours.

The sport is trying to balance the decline of traditional media with the growth of digital, and while there are various efforts to reach new audiences through social media, player vlogs, and interactive content, there is a concern that restrictive rights agreements may ultimately limit the sport’s growth and lower demand for traditional broadcast and ticket sales.

The tennis world is adapting to changing media landscape, but it may have to navigate the complexities of streaming, rights holders, and fan engagement to ensure the continuation of the sport’s fortunes in the long term.

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