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With two major musicals in the awards race this year, it was only right that host David Tennant opened the Bafta Film Awards with a tune of his own. The Scottish star kicked off proceedings with a storming rendition of The Proclaimers’ 500 Miles, featuring contributions from Selena Gomez, Colman Domingo, Anna Kendrick, Hugh Grant and Camila Cabello. The energy remained high throughout the ceremony, which saw Conclave and The Brutalist take the most prizes with four each. Backstage, the stars were in equally good spirits, even if a few of them were jet-lagged, hungry, and remarking on how heavy the Bafta trophy is to carry around. Here are eight highlights from the winners’ room:
1. Mikey Madison took Robert De Niro’s advice too seriously
When Anora star Mikey Madison collected the best actress award, she started by admitting to the audience that she hadn’t prepared a speech. Backstage, she jokingly blamed this on Robert De Niro, whom she recently appeared with on The Graham Norton Show.
“I just wish that I’d had a better speech,” she said. “I was on a talk show and Robert De Niro told me not to write a speech and I thought, I should probably listen to him. And I forgot to thank so many important people.”
Madison was overwhelmed but overjoyed with the recognition from Bafta. “I think I’m a little disassociated right now,” she says, “I love making movies, and being an actress is my dream, and for my film to be recognised like this is incredibly special.
“I don’t know if I’ll ever fully grasp the magnitude of it all, but I know I’ll always be grateful for this incredible opportunity. And I think it’s a reminder that all the hard work and sacrifices we make in this industry are worth it.
“I’m just so grateful to have had this meaningful opportunity come my way, I’ve been yearning for this for a long time. I’ve been working very hard. It’s not for a lack of hard work, but there are so many magical things that have to happen for a film to achieve greatness and I’m so happy that all of those things conspired on The Brutalist.”
2. Edward Berger likens Conclave cast to an orchestra
Conclave won best film and best British film, becoming the first movie to take the top two prizes since 1917. “I am so humbled and so grateful to be welcomed here so openly with such warmth and open arms,” its German director Edward Berger says of the UK. “Basically, I just want to live here, I’m never going to leave.”
He likens the cast of Pope drama Conclave, which includes Stanley Tucci, Ralph Fiennes and Isabella Rossallini, to an orchestra. “No one really knows why a cast works so well, but you have a hunch, so there’s a lot of discussion – we put pictures up on the wall and it just felt like a good combination,” he explained. “They were all believable cardinals, all different nationalities and accents, it just felt they were all different instruments in a big musical piece.”
3. Brady Corbet is optimistic for the film industry
The Brutalist’s Brady Corbet might have won best director, but he said he was slightly too “jet-lagged and exhausted” to fully process it. As much as he’s enjoying awards season, he notes: “It’ll be amazing when it’s done, I’m looking forward to getting back to work.”
Corbet is not shy of hard work – making the Brutalist was famously a labor of love which took several years. “We basically just didn’t sleep,” he says. “I haven’t had a day off in years.”
Now that awards campaigning is in its final phase, with voting for the Oscars closing on Monday, he should finally get some down time. “The week leading up to the Oscars is actually pretty quiet, I’m looking forward to it. The Brutalist, a 3.5-hour film with an intermission, has been a relative box office success despite its intimidating duration.
“I’m not trying to teach anyone a lesson or anything,” he says, “but I do think it’s good for the ecosystem that a film like this which is completely uncompromised – I don’t like too many cooks in my kitchen – for that to have made $30m globally so far, that’s exciting. All the things you’re told not to do, when those films are proven to be commercially viable, and people want original, daring movies, it makes me feel more optimistic than usual.”
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